لُغَةُ الشِّعرِ عِندَ جَوَادِ الحَطَّابِ

 منذرهادي حديد الجحيشي                لُغَةُ الشِّعرِ عِند جواد الحطاب                                                                     الماجستير في اللغة العربية وآدابها / أدب

                                                                                                                                                             Abstract

            I chose Jawad Al Hattab for my sense of the importance of the study of the contemporary poet especially the living poets. What I found in the poetry of Hattab fertile soil need exploration can be detected from the original. The subject of my studies for the master’s degree in (poetic language Jawad Hattab).  It studies it the six collocation of poetry  at the structures (concept of poetry, poetic structure, poetic image, poetic rhythm), which will provide what is worth studying and interest in the experience of the poet Jawad Al-Hattab.

The study consists of four chapters precedes by preface and follows by conclusion. It is the most important findings of the research findings and results.             As for the preface, it came in two parts: First part is about (language of poetry) of the importance of the concept and its role in the critical lesson. second one talks about (Jawad al-Hattab and his experience of the poetic) his poetic generation, with a pause in his poetry collections and the testimonies of some contemporary poets.The first chapter is the structure of the poetic detail of its importance and its abundance in poetry of Jawad Al-Hattab. It talks about the importance of the words and its position in the structure of the poem. The chapter came in two sections: the first is the combination of the pronunciation of weapon and war; Al- Hattab poetry, the words of time, proper nouns. It is divided into two parts : abstract and concrete nouns.  Finally, the words of death.            The second Section deals with the levels of poetic performance, which are five levels: the level of performance in the Quranic language, the level of performance in the language of the religious heritage, the level of performance in the classical language, the performance level in the daily language,The second chapter deals with the structure of the poetic structure. The first part deals with the stereotypical expression patterns and the methods (question, negation, vocative). The second section deals with the stylistic expressions, and the methods of (Deletion, submission and delay). Also, in this chapter a lack of some methods; which led to the small size of this topic compared to other investigations.            The third chapter, which studied the structure of the poetic image because of its distinctive effect in the language of poetry and came in two sections. The first section talks about the means of shaping the image in three ways (simile, metaphor and personification). The second section deals with means of evolution of the image which are (legendary formation, symbolism formation, paradox).            The fourth chapter examines the structure of the poetic rhythm which is in the first two parts: the external rhythm in which the researcher spoke about the rhythm and includes poetry and the phenomenon of musical pairing, which we observed (theatrical overlap and the formal interaction), the rhyme was on three types: the unified style, Free variable, free and coagulation mode).          The second section, which is devoted to the internal rhythm and the form of repetition of its types, is the most prominent of it (repetition of sound and  the word), to form the parallelism of its types (morphology and syntax and antonyms) the most prominent of it. In addition to the