Elements of Creativity in Fadhil’s Aziz Ferman Verse

Huda Muhammed Redha

Elements of Creativity in Fadhil’s Aziz Ferman Verse M.A.    Certification in the Arabic language and its Literature

                                                                                                     Abstract

     Modern poetry obtained poets that wrote their brilliant literature the creativity road and drew a poetic image dissimilar in its contemporary of style and language. The poet Fadhil Aziz Ferman was one of those poets. Thus, choice of this poet’s income, Fadhil Aziz Ferman as a topic to my research which is entitled ” Elements of Creativity in Fadhil’s Aziz Ferman Verse “. This was due to several reasons. The first important one was to uncover the modern poetic fortune with its time and style that observed the Iraqi reality including concerns and disasters. His work showed the influence of war ands and crises on Iraqi people who already afflicted by plights and death.

    The current study contained two chapters preceded by a preface and followed by conclusion included the results extract and the study resultant. The preface has two sections, the first is about the poet’s, Fadhil’s Aziz Ferman life, biography, and poetic production; the second section is devoted to the process of creativity.

     The first chapter which is entitled quotation in Fadhil’s Aziz Ferman Verse contained three sections. The first is about the religious quotation the second tackled the poetic quotation and the third treated with various kinds of quotation as the historical quotation with arts, and the colloquial expressions.

    The second chapter which is entitled ” The elements of artistic creativity in Verse Fadhil’s Aziz Ferman Verse” has also three main sections. The first section is devoted to study the poetic language which contained studying ” the flash” poem. The second section studied the style. It studied styles like deletion, cutting, whiteness, narrating style, and vocative. The third section mentioned the artistic image. It has two subsections; the first included the image source to Fadhil Aziz Ferman represented by woman, country, alienation, and the nature while the formations of the rhetorical image represented by metaphor, simile, and metonymy .